One example I found that could be indicative of a convergence of masculinity and imperial power is on page 114 of our text. It's the encounter between the hillman and Kim. Here's the specific quote:
"'Stand farther off, beggar!' The order was shouted in broken Hindustani by one of the hillmen.
'Huh! It is only a pahari [a hillman]', said Kim over his shoulder. 'Since when have the hill-asses owned all Hindustan?'
The retort was a swift and brilliant sketch of Kim's pedigree for three generations.
'Ah!' Kim's voice was sweeter than ever, as he broke the dung-cake into fit pieces. 'In my country we call that the beginning of love talk."
There's a lot going on here. First we have references to Kim's heritage which relates to imperialism, and we have him standing up for himself - a part of masculinity.
Also in this segment we have the impression that Kim is acting self-important, which is very similar to how Pip acted after he moved to London to begin his life as a gentleman.
Also, the retort being called a "sketch" of Kim's pedigree reminds me of the reoccurring conversation we have about literature relating to art.
